Brian made it clear from the outset that when he spoke of manipulation [...]]]> On Sunday afternoon (8/8/10) I attended Brian Taylor’s lecture titled Manipulation in Photography. What a great event it was not only because Brian created a comprehensive educational presentation, but also because he invited audience participation which broadened the experience for all in attendance.

Brian made it clear from the outset that when he spoke of manipulation in photography, he was referring to a conscious effort on the part of the photographer to alter or change a photograph. The presentation was given in chronological order beginning with the very first photograph ever made. As he moved through the eras of photographic history in which different mediums were incorporated, Brian pointed out various methods of manipulation that were utilized by photographers of the day. It quickly became obvious that manipulation of one sort or another has always been a part of photography.

This was one of those lectures that I’m really glad I did not miss. There was so much in-depth information imparted and so many great images shown (560 images total). I know that I will be harkening back to this experience for a long time. Thank you, Brian, for sharing a bit of your knowledge with us in your open and inviting style. For those of us who attended, you significantly expanded our appreciation and understanding of photographic art.

Tracy Valleau of the Imagemakers announced that this lecture was the final one in the public lecture series for 2010. However, Saelon Renkes will be giving a lecture to CPA and Imagemaker members only, at 2:00 pm on October 2nd. Tracy went on to acknowledge Richard Cannon and Fred Chamberlain for their tireless efforts in setting up the equipment for the lecture series. He also acknowledged Chris Wasserbach and Nancy Budd for getting the publicity out regarding each and every lecture. And finally he acknowledged the great support and work done by Robin Robinson, without whom these events never would have happened.

If you were one of the unfortunate few who were unable to attend this lecture, I invite you to check out Brian Taylor’s work at his website: http://www.briantaylorphotography.com/. And please do not miss Brian’s beautiful contribution to CPA’s Fine Print Program this year. Here’s the link: http://www.photography.org/cfpp.php.

Submitted by Tracy Morrison

Dancessence

Congratulations to our friend and client, photographer Hal Eastman, as his latest book—Dancessence—continues to earn accolades.

Dancessence won gold in the 2010 Summit Creative Awards, an international competition that, this year, included entries from twenty-four countries. The book was a winner in Communication Arts’ prestigious photography competition and was selected to [...]]]> Takigawa Design Congratulates Hal Eastman

Dancessence

Congratulations to our friend and client, photographer Hal Eastman, as his latest book—Dancessence—continues to earn accolades.

Dancessence won gold in the 2010 Summit Creative Awards, an international competition that, this year, included entries from twenty-four countries. The book was a winner in Communication Arts’ prestigious photography competition and was selected to appear in CA’s 2010 Photography Annual. Dancessence won a gold Independent Publisher Book Award (IPPY) and, in addition, was one of 12 books they chose (out of 4000 entries) to honor as a “2010 IPPY Outstanding Book of the Year.”

Nearly four years in the making, this project was a study in patience, perfection, and attention to detail. Special thanks to Hemlock Printers for their invaluable assistance. We are honored to have helped Hal realize his vision.

Takigawa Design work selected for CA Design Annual

Santa Catalina School view book

Santa Catalina School view book makes the grade in Communication Arts’ Design Annual.

Juried by a panel of top designers and attracting entries from the USA, Canada, England, and 40 other countries, Communication Arts’ Design Annual competition is the most highly esteemed in the industry. Out of thousands of entries, only 2% of the work entered is accepted. We were, therefore, extremely pleased to learn that the Upper School view book and envelope we designed for Santa Catalina School were chosen to appear in CA’s Design Annual 51. It will be published this September.

Earning our clients’ trust and getting the opportunity to give them our best work is extremely gratifying. We have to admit, though—the recognition and prestige of being a CA Design Annual selection is quite nice too. We are honored.

Fourteen of my large format color photographs on canvas and thirteen framed prints will be on display through August 30.

My headlights exhibition at the Fresno Art Museum will close on August 27 [...]]]> You are cordially invited to the opening reception of my
“Headlights up close” exhibition at the
Marjorie Evans Gallery, Sunset Center, Carmel
Friday, August 6 from 5-7 pm

Fourteen of my large format color photographs on canvas
and thirteen framed prints will be on display through August 30.

My headlights exhibition at the Fresno Art Museum
will close on August 27 after three months.
I hope you will come to my new Carmel show and enjoy the magical
and powerful reflections of twenty seven awesome headlights.

See you there!

Gallery Hours:
Monday – Friday 9am – 5pm
The gallery is located on San Carlos near 8th in Sunset Center
Carmel-By-The-Sea, California 93921
Information 831.624.3996

John Sexton’s Lecture and Opening Saturday, July, 10 were well attended. His lecture included his evolution as a photographer, as well as some recollections of his time working for Ansel Adams. The raffle for John’s print was done and the winner notified. Enjoy some photos from the festivities:

John Sexton's [...]]]> John Sexton: A Photographer’s Journey

John Sexton’s Lecture and Opening Saturday, July, 10 were well attended. His lecture included his evolution as a photographer, as well as some recollections of his time working for Ansel Adams. The raffle for John’s print was done and the winner notified. Enjoy some photos from the festivities:

John Sexton's Lecture included images and anecdotes from his six-year working relationship with Ansel Adams.

Lecture

Lecture

John Sexton Exhibition

Exhibition Opening

John Sexton and Patrick DelliBovi, Senior VP, Sales and Marketing, Freestyle Photographic, Exclusive sponsor of this exhibition, and all CPA exhibitions this year

Print Raffle

John Sexton: A Photographer's Journey

John Sexton: A Photographer’s Journey – through August 27, 2010, Center for Photographic Art

Photo Credits: Jack Wasserbach

Please join Ryuijie and Camille Lenore at Nadine Annand Gallery at the Pacific Grove Art Center.

Exhibition: July 23 – september 2, 2010

Reception: Friday, July 23, 2010 from 7:00 – 9:00 pm

568 Lighthouse Ave., Pacific Grove, CA 93950

Desert Diptych Book Spread Please join Brian Taylor and three of the finest gum printers in the Bay Area for a lively overview of gum bichromate printing and its current use by contemporary artists. Hedwig Heerschop, Rob Shaffer, and Niniane Kelly will present their beautiful artwork and discuss the [...]]]> Friday Evening June 11, 6:30pm
Saturday June 12, 12:30pm

Desert Diptych Book Spread
Please join Brian Taylor and three of the finest gum printers in the Bay Area for a lively overview of gum bichromate printing and its current use by contemporary artists. Hedwig Heerschop, Rob Shaffer, and Niniane Kelly will present their beautiful artwork and discuss the trials, tribulations– and rewards– of this most demanding yet elegant photographic process. Brian will present a slide lecture illustrating gum printing’s early beginnings in the 19th century, as well as work from contemporary gum printers.

On Saturday, June 12th Brian will be presenting a gum printing demonstration in the gallery at 12:30 PM, in which he steps back into the 19th century, and create a gum print with large negatives and contact printing frames in Union Square sunlight. Brian will bring examples of his tests, research and out-takes to illustrate the possibilities of this photographic medium.

Both events are free. Gallery 291, 291 Geary Street, San Francisco, CA 94102, (415) 291-9001.

info@gallery291.net

This work portrays certain walks Brian takes in search of peace in the West. Rather than portraying the most sweeping or spectacular views of a landscape, Brian reveals an authentic “essence” of [...]]]> Brian Taylor

The Art of Getting Lost

Artist Reception Friday, May 14, 6-9pm

May 14 – June 30, 2010

Gallery 291
291 Geary Street
San Francisco, CA 94102

info@gallery291.net

This work portrays certain walks Brian takes in search of peace in the West. Rather than portraying the most sweeping or spectacular views of a landscape, Brian reveals an authentic “essence” of place-often from a quiet vantage point. The images are produced using the  beautiful 19th century Gum Bichromate process. Each print is coated by hand with  ”non -silver” photographic emulsions directly onto watercolor paper in multiple exposures of different  colors  creating a very unique work of art.

Fallen Teepee Santa Cruz Mountains

Panel discussion: Designing Books Dick Garrod, Jerry Wolfe, Robin Jones, Jeff Becom, and Tracy Valleau 2:00 pm June 6 $10 admission for non-members

As always, the main way to reach an audience with photography is via book sales. Today, instant [...]]]> The lecture is now on Sunday, June 6th, at Sunset Center

Panel discussion: Designing Books
Dick Garrod, Jerry Wolfe, Robin Jones, Jeff Becom, and Tracy Valleau
2:00 pm June 6
$10 admission for non-members

As always, the main way to reach an audience with photography is via book sales. Today, instant publishing lives alongside the more traditionally published books, and just as digital has opened up photography, so have Blurb, MyPublisher and iPhoto given all photographers access at a reasonable price to high quality books of their works. But a fine-art book is not a snapshot photo-album. Learn what it takes to produce a book that will look good on any coffee-table, not just your own.